intervened, pointing out that Horst Wessel was at the time under the copyright of the Nazi Party.

Casablanca: The original script called for the two dueling anthems to be La Marsaillaise, the French National Anthem, and Das Horst-Wessel Lied, the official anthem of the Nazi Party, and the second part of the National Anthem of Germany after the Deutschlandlied / Deutschland Ueber Alles.

It became a Breakaway Pop Hit and launched the career of singer Julee Cruise.

Blue Velvet: 'Mysteries of Love' was commissioned specifically to be a suspiciously similar song to This Mortal Coil's version of 'Song to the Siren'.

The killer's leitmotif in Bloody Moon is very similar to Paul McCartney & Wings's ' Live and Let Die''.

The refrain of Blazing Saddles is clearly based on the refrain to the hymn 'Yes, Jesus Loves Me'.

The trumpet and guitar fanfare from Battles Without Honor and Humanity sounds thematically like Nino Rota's famous theme from The Godfather.

The theme from Kinji Fukasaku's Blackmail Is My Life, which appears throughout the film, is a wordless soundalike of 'Over Under Sideways Down' by the Yardbirds.

Similarly, the song 'In Time' from the soundtrack sounds ''very'' similar to 'With or Without You' by U2.

Bill & Ted's Excellent Adventure: When the duo play Poker against Billy the Kid, the music is a very unsubtle rip-off of 'Il Triello' from The Good, the Bad and the Ugly.

Bibi Blocksberg: The second film's theme sounds suspiciously similar to 'Hedwig's Theme'.

Battleship: One part of the soundtrack is near-identical to the bassline from 'Hey Bulldog'.

It's a little jarring because moments earlier, an actual snippet of the Game of Thrones theme is heard. 'The Power of Love' for a sequence where Ernest Cline picks up his Delorean from George R. There is a song called 'Baby on the Run' which is an obvious parody of Iggy Pop's Real Wild Child.

''Film/Baby Geniuses' Heard in the film's trailers & DVD's Bonus Features.The documentary Atari: Game Over uses a slightly off instrumental version of Huey Lewis and the News'.

The chorus of IMALU's 'Uh Uh', the theme song for the Japanese version of Arthur and the Invisibles, sounds very similar to the chorus of Hey Monday's 'How You Love Me Now'.

The Gabble Sisters' theme from The Aristocats is a simulated version of Henry Mancini's 'Baby Elephant Walk'.

'Coming' from the 1980 acid trip musical The Apple sounds damn near-identical to Donna Summer's 'Wasted' (four years prior).

Listen during the liftoff in Apollo 13-don't you think it sounds a little too similar to Art Garfunkel's 'All I Know'?.

Anna and the Apocalypse: The underscore song 'Christmas Means Nothing Without You' sounds more than a little like Mariah Carey's 'All I Want for Christmas Is You'.

And later on, the Background Music sounds suspiciously like the Charlie's Angels theme.

Angels Revenge features a triumphant melody that's not ' Also sprach Zarathustra'.

'Learn to Do It' resembles 'We Need a Little Christmas' from Mame.

Rasputin's Villain Song, 'In the Dark of the Night', strikingly resembles Jafar's reprise of 'Prince Ali' from Aladdin.

'Once Upon a December' is similar to 'Come Little Children' from Hocus Pocus.

'Journey to the Past' sounds like 'Changing Keys', the long-time theme to Wheel of Fortune.

Alvin and the Chipmunks: Dave's demo song is suspiciously similar to Death Cab for Cutie's 'I Will Follow You Into the Dark'.

Star wars rogue one soundtrack apple